ΪÇì×£×ðÁú¿Ê±¹ÙÍø½¨Ð£40ÖÜÄ꣬Íâ¹úÓïѧԺÓÚ7ÔÂ14ÈÕÑûÇë±±¾©´óѧӢÓïϵ³¤Æ¸¸±½ÌÊÚ¡¢²©Ê¿Éúµ¼Ê¦£¬ÀîÍðÁØ×ö¿ÍµÚ420ÆÚ¡°Á½Ð£Ãûʦ½²Ìá±£¬×÷ÁËÌâΪ¡¶ÍÆÀíµÄÒÕÊõ£º°®Âס¤ÆÂÓëÕì̽С˵µÄÆðÔ´¡·µÄѧÊõ½²×ù¡£½²×ùÓÉÍâ¹úÓïѧԺԺ³¤¹¨ÎÀ¶«½ÌÊÚÖ÷³Ö£¬Íâ¹úÓïѧԺ¡¢ÉúÃü¿ÆÑ§Ñ§ÔºÀÏʦñöÌýÁ˽²×ù¡£
½²×ùÊ×ÏÈ´ÓÈËÎï¡¢Çé½Ú¡¢Ð§¹ûÓëÍÆÀíËĸö²àÃæÕ¹ÏÖÃÀ¹ú×÷¼Ò°®Âס¤ÆÂ¶ÔÏÖ´úÕì̽С˵µÄ¹±Ï×£¬ÓÈÆäÇ¿µ÷ÍÆÀíµÄÒÕÊõÔÚÆäС˵ÖеĺËÐĵØÎ»£»Æä´Î£¬½²×ù½áºÏ19ÊÀ¼ÍµÄÎÄѧÊг¡Óï¾³ÓëÉç»áÀúÊ·±³¾°£¬Ì½¾¿°®Âס¤ÆÂÈçºÎ½«ÀËÂþÖ÷ÒåÀíÏë¼°ÏÖʵÖ÷ÒåÅúÅÐÈÚÈëÆäÍÆÀíС˵´´×÷ÖС£×îºó£¬Àî½ÌÊÚÖ¸³ö£¬°®Âס¤ÆÂÒ»Éú´´×÷µÄÕì̽С˵ËäÈ»ÊýÁ¿²¢²»¶à£¬µ«È´ÎªÕâÒ»Ìå²ÃµÄÏÖ´ú·¢Õ¹µì¶¨ÁËÖØÒªµÄÐÎʽÒÔ¼°Ìå²Ã»ù´¡£¬¹ÊÏíÓС°ÏÖ´úÕì̽С˵֮¸¸¡±µÄÃÀÓþ¡£½²×ùÖ®ºóµÄ×ù̸»·½Ú£¬Ã¿Î»ÀÏʦ½áºÏ¸÷×ÔÑо¿ÁìÓòµÄÀ§»ó»òÐĵÃÓëÀî½ÌÊÚ½øÐÐÁËÉî¶È½»Á÷¡£
Ö÷½²È˼ò½é£º
ÀîÍðÁØ£¬±±¾©´óѧÍâ¹úÓïѧԺӢÓïϵ³¤Æ¸¸±½ÌÊÚ¡¢²©Ê¿Éúµ¼Ê¦£¬ÃÀ¹ú¶íº¥¶íÖÝÁ¢´óѧӢÓïϵ²©Ê¿£¬È«¹úÃÀ¹úÎÄѧÑо¿»áµÈѧ»áÀíÊ£¬Ö÷ÒªÑо¿·½ÏòΪ19ÊÀ¼ÍÃÀ¹úÎÄѧ¡¢¸çÌØÎÄѧ¡¢ÐðÊÂѧ¡¢¿çý½éÆæ»ÃÐðʵȡ£³ö°æÓ¢ÎÄ׍ָGlobal Ambiguity in Nineteenth-Century American Gothic: A Study in Form, History, and Culture£¨»ñµÚ¾Å½ì½ÌÓý²¿¸ßµÈѧУ¿ÆÑ§Ñо¿ÓÅÐã³É¹û½±ÇàÄê³É¹û½±£©£¬²¢ÔÚNarrative¡¢Style¡¢Journal of Narrative Theory¡¢¡¶Íâ¹úÎÄѧÆÀÂÛ¡·¡¢¡¶Íâ¹úÎÄѧÑо¿¡·¡¢¡¶Íâ¹úÎÄѧ¡·¡¢¡¶¹úÍâÎÄѧ¡·µÈ¹úÄÚÍâÖªÃûÆÚ¿¯ÉÏ·¢±íÂÛÎĽü20ƪ£¬Ö÷³Ö¹ú¼ÒÉç¿Æ»ù½ðÇàÄêÏîÄ¿¡°19ÊÀ¼ÍÃÀ¹ú¸çÌØÎÄѧÓëÔÓÖ¾ÎÄѧÊг¡Ñо¿¡±¡£
À´¸åʱ¼ä£º7ÔÂ15ÈÕ ÉóºË£ºÁõÖ¾¹ú ÔðÈα༣ºÕŸê